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Review of the concert-Guilmant Symfony in d Minor for Organ and Orchestra at Smatana Hall
Hudební rozhledy-Jan Hora

In Guilmant Symphony for Organ and Orchestra off, flamboyant virtuosity and temperament Organist Drahomíra Matznerová. Convincingly captured the dramatic moments of the first sentence and quick movement finals and while playing table organ was placed in the far corner of the stage, performing clearly dominated..
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Review of the concert with BRNO PHILHARMONIC February 2017 ,Magazine Harmonie-Robert Hugo
….At the end we could hear not so famous concert Symphony No.1 for the organ and orchestra by Alexander Guillmant, presented by an excellent soloist Drahomíra Matzner. I think that the soloist really enjoyed the concert including the briliant final sentence, which was felt by the conductor in a very lively pace. She managed perfectly not only with the fast passages which were brilliant but understendable, but also with the thrush free sentence. And what was maybe even more difficult – with the organ in the Besední house, which unfortunatelly are not specifically disposed for the French romantic music. Nevertheless they played an equal counterpart to the orchestra in her interpretation, and they could sound for me unexpectable romantic colours…

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Review new CD ROMANTIC ORGAN
HARMONIE 4/2014-I. Černíčková

… At this moment gradate all artistic quality performer and I admit that I can not remember the last time me while listening to recorded music ran as follows willies. Matznerová has the sovereign, the ability to build long musical idea spanning more minor issues, the art clearly articulate their concept of the song and present in all their game so impressive that I have with every other tone wanted to sit in the audience that night. I know I applauded warmly, sincerely and emotionally.

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Toccata trift jazz, Review of the concert at Zwiessel september 2015
(German)

…..Die „Suite Gotique“ op. 25 des französischen Komponisten und Organisten Léon Boëllmann ist eines der bekanntesten und zugleich mitreißendsten Werke der Orgelliteratur. Sehr viel gespielt daraus wird die Toccata. Bei der Interpretation von Frau Matznerová passte alles: die perfekt durchgehörte Registrierung, das Tempo und – die Orgel, die für die Wiedergabe der romantisch-französischen geradezu prädestiniert ist.
Alexandre Guilmant war mit der Pastorale op. 26 vertreten, Louis James Alfred Lefébure-Wely mit dem bekannten – sehr schnell gespielten – Sortie Es-Dur.
Es gab noch einige „jazzorientierte“ Stücke – von denen sich Christopher Pardinis Toccata on Gospel „Amazing Grace“ besonders heraus hob.
Krönender Abschluss – es gab leider keine Zugabe – des gelungenen Einstands der diesjährigen Orgeltage war der letzte Satz aus der d-moll Symphonie von nochmal Alexandre Guilmant – wirklich in jeder Hinsicht grandios.
Einzig schade war, dass wegen technischer Probleme die Videoübertragung nicht stattfand – aber dafür war der Hörgenuss umso größer …

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DRAHOMÍRA MATZNEROVÁ AT THE CHURCH OF ST WENCESLAS
By Julius Hůlek Music Perspective
(Review of the Prague Spring concert held on 29 May 2011)

Bringing the Prague Organ Days to an altogether characteristic and fitting conclusion was a recital by Drahomíra Matznerová, dedicated moreover to the memory of her husband, the musicologist Michal Matzner, who died tragically last autumn. Underscoring the recital’s special meaning was the programming, consisting of a selection of works by famed organ virtuosos who have major anniversaries this year.

Aptly introducing the collection of truly wonderful compositions was a performance of the Toccata and Fugue in F Minor by Bedřich Antonín Wiedermann, a pioneer of modern Czech organ performance. With well-judged dynamic articulation of entrances, the performer allowed the rich musical density to unfold, and her musical resources, especially her brilliant technique, were put at the service of a conception evoking a broadly diverse palette of moods, including her appropriate choice of gradations of registration in the fugue. Characterized by obvious, interpretively sensitive descriptiveness was the following Consolation No. 4 in D-Flat Major by Franz Liszt, enhanced with a special character through agogic shaping and the choice of contrasting wistful lyricism. The Chorale on the Chorale “Hallelujah! Gott zu loben, bleibe meine Seelenfreud!” is a great work by the absolutely unique late romantic composer Max Reger. The performance of the composition unfolded in clearly audible and well differentiated sonic ranges, and it was impressive above all for its conceptual shaping, leading from chaos to the establishment of order and above all a feeling of triumph. We appreciate that the fugue basically avoided the temptation for flashy registration (except perhaps for the very end), and we would emphasize the Mrs. Matznerová’s determined commitment to the performance. In all respects, the concert was captivating, as was illustrated, among other things, by the impression from the sequence of the next two compositions – the calm, narrative tone of the Ballade en mode phrygien, op. 14 by Jehan Alain and the Toccata from the Suite, op. 5 by Maurice Duruflé, a piece with rather mysterious content that nonetheless reaches a climax in a celebratory mood. The Pastorale in A Major, op. 26 by Alexandre Guilmant served suitably as a break (although by no means episodic) before the final work, the three-movement Symphony No. 1 in D Minor, op. 42 by the same composer. Framing the entire work were passages in a triumphant mood, and the progress of the music was first enlivened by a melody with pastel coloration, as if from another world, then the pastoral mood gave way to dramatic unrest. Finally, virtuoso passagework, runs and figuration brusquely come to the fore, creating a truly monumental impression, with a stirring ascent to the conclusion, the performance of which made the impression that the “King of Instruments” had been conquered.

With her festival appearance, Drahomíra Matznerová convincingly demonstrated once again her wonderful performing abilities, especially for the interpretation of the romantic organ repertoire. Besides the specific programming features already mentioned, her recital showcased aspects of the art of organ music that unfortunately are presented very seldom. She was obviously absorbed in her performing, and she played with admirable dynamism (it was also possible to watch video of her playing projected on a screen) and unwavering verve. Her artistry bears the seal of mature deliberation and outstanding talent, promising much for the future. The final concert took place at the Church of Our Lady Victorious with a programme of organ compositions. Appearing with the organist Drahomíra Matznerová-Chvátalová was the youthful string orchestra Camerata Bohemia with the conductor Till Fabian Weser. The concert began with the brief but beautifully played Sinfonia in B Minor “Al Santo Sepolcro” by Antonio Vivaldi. The Organ Concerto by Francis Poulenc, a composition that is very different from his other works, followed without a pause. The entry of the organ in forceful dynamics juxtaposed against the hushed ending of the Vivaldi composition was enormously impressive. The soloist Drahomíra Matznerová-Chvátalová, who is intimately acquainted with the instrument at the church, played without the least bit of hesitation. The changing tone color of the organ was lovely, and the soloist played with precision even the rhythmically complicated passages with orchestra. The performance and the composition itself provided the concert’s finest moments

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North Bohemia Philharmonic (Teplice) – Concert Review

A concluding return of the festival to Teplice-Rafael Brom, Hudební rozhledy, 8/2013

The closing symphonic concert of the 49^th-annual Ludwig van Beethoven Festival (26 June) was performed by the North Bohemia Philharmonic (Teplice) under the baton of the Bavarian conductor Franz Schottky. The concert opened with Verdi’s overture to the opera Nabucco played at an unexpectedly cautious tempo, which transformed this introduction to an opera – and an Italian opera at that – into something uncommonly pensive and rather remote from its original purpose.
The second work on the programme was the Symphony in D Minor, op. 45 by Alexandre Guilmant. Drahomíra Matznerová handled the difficult situation with tempos à la Celibidache with the wisdom of Solomon – she assumed the leading role, and the performance of Guilmant’s work deservedly became a highpoint of the festival. Matznerová drew a wide range of expression from her instrument, evoking many variants of Romantic imagery, and this monumental, sonically rich Romantic work with lovely dance-like passages sounded forth in all its beauty in the extraordinarily favorable acoustics of the Teplice concert hall. Although the condition of the instrument forced the soloist to make some adjustments to the registration, she filled the space of the hall with surging organ sound with very attentive orchestral support, changing over to cheerful solo passages, then later some pleasing sounds and a victorious cadenza, enchanting piano passages, and a majestic, triumphant conclusion. In this piece, the North Bohemia Philharmonic (Teplice) gave of its very best, bringing off Guilmant’s music successfully. It was Drahomíra Matznerová who de facto took control of the careful structuring of the music’s tempos, the broad range of dynamics, and the diversity of expression, and not only of her own instrument. After the appreciative ovation, she played the Toccata for Organ by Léon Boëllmann as an encore.
After the interval, the orchestra performed the Symphony No. 5 in E Minor, op. 64 by Pyotr Ilyich Tchaikovsky, but the elements conspired against the performance, especially the unprecedentedly hot weather that was plaguing the country even that late in the evening. The orchestra, which had been reveling in colorful, particularly lively tempos during the previous piece, slowed down noticeably, and the conductor returned the music to the vein of the philosophical Nabucco with which the concert began. Especially the last part of the symphony suffered from the chosen tempo.
Finally, to give a summary of some basic information about the whole festival presented by the North Bohemia Philharmonic (Teplice) under the patronage of the City of Teplice, in the course of a month a total of more than 60 artists and 10 ensembles presented themselves, coming from not only the Czech Republic, but also Slovakia, Germany, Italy, the USA, Spain, Poland, Switzerland, Austria, China, and Russia. The festival belongs to the Czech Association of Music Festivals, and the parties most responsible for its financing were the City of Teplice, Ústí nad Labem Region, the State Culture Fund of the Czech Republic, and the individual towns where the concerts took place.

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OLOMOUC ORGAN FESTIVAL (review)

Richard Pogoda-Hudební Rozhledy

When the Olomouc organ expert Antonín Schindler got approval in the 1960s for renovation of the Baroque organ in the Church of St Maurice built by Engler, the city in central Moravia acquired a truly royal instrument. The number of organ pipes was increased from 2,361 to more than 8,000, making it the largest organ in Czechoslovakia. The massive, five-manual console with hundreds of stops is impressive even at first glance.

Such an instrument attracted the interest of organists, and this gave the city leaders the idea of establishing a new tradition. Since 1969, not only performers, but also, above all, the music-loving public have had the opportunity of attending the International Organ Festival, and the 45^th-annual festival is now taking place. The endless possibilities for the instrument’s registration allow for programming covering a broad range of styles, so as the years went by (especially after the societal changes that took place in 1989), compositions began to appear in the repertoire that could not have been heard there earlier.

Again this year, the festival organizers were not afraid to present a wide range of genres. This was especially the case with the fifth and final concert featuring Thierry Escaich, organist at the Church of Saint-Étienne-du-Mont in Paris and professor of organ and improvisation at the Paris Conservatory, who presented the music of César Franck and Olivier Messiaen, rarely heard in Czech churches, along with the addition of his own compositions. The programming for the fourth concert of the series, held on 9 September, was also adventurous: the concert’s subtitle was “Music of Two Worlds” – classical and jazz.

Please let me take you on a short excursion back into history. Approximately seventy years ago, the popular pianist and entertainer Fats Walter would occasionally play church organs to give more ‘weight’ to his music. He had the feeling that his music was not getting adequate attention from classical music lovers. Now, the exact opposite was the case. The space inside the Church of St Maurice was filled with arrangements of Gospel tunes and evergreens that undoubtedly would have filled the old man with joy.

Drahomíra Matznerová made her first appearance performing at the festival in Olomouc. Already at the afternoon rehearsal, it was obvious that she greatly enjoys making music. Before the actual concert, she showed no sign of any nervousness. She gave a confident, spirited account of frequently performed works by B. A. Wiederman, Max Reger, and Maurice Duruflé. Especially the Toccata (1933) by the French master is an enormously difficult work in terms of both technique and expression. The image shown thanks to a camera system must have pleased the audience, because the challenging bass figures were transformed into an enchanting ballet of black slippers on the organ pedals.

The same was the case with the music from “across the seas,” when she was accompanied by the excellent playing of the trumpet player Miroslav Laštovka, a member of the orchestra of the Prague State Opera. The musical conception of the two performers gave no hint of any fake sentimentality in the Ave Maria by Astor Piazzolla or in Emil Viklický’s arrangement of the popular film hit song Over the Rainbow. The composition was premiered at last year’s PROMS festival. With his experience in the field of classical music, Viklický successfully avoided making a cheap, pandering arrangement. While he left snatches of Harold Arlen’s melody in the trumpet part, he did not let the organ part fall into the stereotypes of popular music. One might find something of Viklický’s experience with jazz in the wonderfully written bass line, but the dense clusters of tones and the sudden alternations with quiet, lyrical passages were attributes of modern music of the 21^st century.

When we add to that the Garneresque stride piano figures for the left hand, rarely heard on the classical organ, in the music of J. M. Michell, I have to say ‘hats off’ to Drahomíra Matznerová. The public showed its satisfaction by demanding two encores. Many members of the enthusiastic audience then pressed their way into the organ loft to thank the performers personally. Now who can explain why people say Olomouc audiences are conservative?

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The organist at the church where the Infant Jesus of Prague is kept goes occasionally to the pistol range (Gabriela Plačková)

Katolický týdeník, 49/2013

Drahomíra Matznerová Chvátalová works every weekday and holiday at the church where the Infant Jesus of Prague is kept, but in order to see her at work, you would have to go up into the organ loft. Since 1995, Drahomíra Matznerová has been the organist at the Church of Our Lady Victorious, and she played there for Pope Benedict XVI during his visit to Prague’s Infant Jesus.

Originally, she wanted to be a veterinarian, but chemistry did not turn out be one of her best subjects, so in the end, she decided to attend conservatory and play the organ. Her organ studies went well. “I didn’t completely fall in love with the organ until I began my studies, when I chose it as my instrument mostly in accordance with my father’s wishes,” says the organist. Already as a student, she would go out early in the morning to play for Holy Mass before her classes started. First, she played in St Anne’s Chapel at the Church of St James in Prague’s Old Town, then she played at the Capuchin Church at Prague Castle and also at the Loreta. “When I got the chance to play at Our Lady Victorious, I didn’t hesitate. It’s the dream of all organists to have their ‘own’ church and to play there regularly,” says the organist, who even started taking her children along with her right after they were born when she would go to play the organ. They would start by lying in a pram next to the organ, but when they started making noise during Mass, the organist had no choice but to put the pram in the stairwell leading to the tower. “My children are now six and nine years old, and when I play, they come with me. They also travel with me to concerts,” says Mrs. Matznerová.

At midnight, a duet is heard at Our Lady Victorious
For this year’s midnight Holy Mass at Our Lady Victorious, the church’s organist chose a midnight duet. At the church, one hears, for example, carols by Steckr or some of the Czech Christmas songs by Jakub Jan Ryba sung by soloists from the Olomouc Opera: Barbora Polášková (mezzo-soprano) and Petr Martínek (tenor) with organ accompaniment.
Besides regularly accompanying worship services, Drahomíra Matznerová, a graduate from Prof. Jaroslav Tůma’s studio at the Academy of Performing Arts, also gives concerts. The bulk of her repertoire consists of music of the Romantic and Modern eras, with an emphasis on French organ literature of the 19^th and 20^th centuries. “For the Romantic musical literature that I love, which is very melodious, the organ at Our Lady Victorious is ideal. It is a fine German Romantic organ from the 19^th century. There aren’t many organs like that in Prague,” says the organist, who has made recordings for Czech Radio and other labels, including a recording of premieres of works by major Czech composers such as Jiří Ropek, Jiří Laburda, and Emil Viklický. She regularly performs as a soloist in this country and abroad. In 2012 at the PROMS festival, together with the trumpet soloist Jan Hasenöhrl, she gave the world premiere of Emil Viklický’s Variations on Over The Rainbow.
I react to things by going to shooting range
Music is not, however, always the right way for the organist at Our Lady Victorious to react to things: “Whenever I want to clear my mind, I take my two weapons and go practice shooting at the range,” she says with a smile, adding that she had always been interested in shooting, so she got a gun permit nearly twenty years ago. She does not, however, have much time for this hobby of hers. She has to spend more time preparing for concerts. She practices at home on an electric organ, and she only rehearses at the church right before a concert. At present, she is preparing for two concerts: “This year I will be appearing again as a soloist with the North Bohemia Philharmonic in Teplice, and early next year I will be playing with the Prague Symphony Orchestra in Smetana Hall at the Municipal House in Prague,” said the organist concerning her concerts scheduled for the near future. Besides playing at the Church of Our Lady Victorious, she also plays at the ceremony hall of Prague’s New Town Hall.

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Report from the Organ Festival in Olomouc

http://www.ceskatelevize.cz/zpravodajstvi-ostrava/kultura/242435-v-olomouci-konci-mezinarodni-varhanni-festival/

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Festival Kutna Hora:

 http://translate.google.cz/translate?sl=cs&tl=en&js=n&prev=_t&hl=cs&ie=UTF-8&layout=2&eotf=1&u=http%3A%2F

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Operaplus-Rev iew of the concert at the Prague Spring

http://www.operaplus.cz/2011/05/dvakrat-prazske-jaro-novy-glass-varhany.html

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CT 2 Prague spring 

http://www.ceskatelevize.cz/porady/10320585080-echo-prazskeho-jara-2011/video/

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Events in the culture of the CT 24 from 11. minutes
http://www.ceskatelevize.cz/ivysilani/209411058080622-udalosti-v-kulture/

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Music Perspectives (rewiev Poulenc organ Koncert)

http://translate.google.cz/translate?sl=cs&tl=en&js=n&prev=_t&hl=cs&ie=UTF-8&u=http%3A%2F%2Fwww.hudebnirozhledy.cz%2Fwww%2Findex.php%3Fpage%3Dclanek%26cislo_id%3D99%26id_clanku%3D1238&act=url

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iHNed.cz
http://translate.google.cz/translate?sl=cs&tl=en&js=n&prev=_t&hl=cs&ie=UTF-8&u=http%3A%2F%2Fihned.cz%2Fc4-10104850-21584360-000000_d-10104850-21584360-005000_d-10104850-21584360-005000_d-skvele-interpretacni-vykony-ozdobily-festival-komorni-hudby&act=url

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The Word premiere of E. Viklický Variations Over The Rainbow“ (Trumpet J. Hasenohrl)

The video find here

ECHO PRAG SPRING

 

KARLOVY VARY SYMPHONY ORCHESTRA

A.Guilmant-Symphony for organ and orchestra

R.Strauss: Symf. báseň-So sprach Zarathustra

Dir. Leoš Svárovský, Grandhotel Pupp,   8.marc 2018 19.30hod. Karlovy vary

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6.june 2017 

 INTERNATIONAL ORGAN FESTIVAL   OF JOZEF GREŠÁK

recitál,  Bardejov-Slovakia, Bazilica sv. Egídia 8 p.m.

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4.june 2017

MICHALOVS ORGAN-XI. international organ fesival

recitál,  Michalovce-Slovakia  Church Narození Panny Marie 7.p.m.

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16. March 2017 -SLOVAK SINFONIETTA OF ZILINA

Francis Poulenc: Koncert  g minor for organd and orchestra

7.30.p.m. Fatra House of Arts-Žilina, dir. Vladimir Kiradjiev 

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1.,2., and 3.th February 2017, BRNO PHILHARMONIC

Subscription series „Home Philharmonic“Guilmant : Symfony  for organ and orchestra

 7.30.p.m. Besední dům Concert Hall, dir. Bastien Stil

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13.October 2016 

International Organ Festival VOX ORGANI

 Concert Hall RADOST v  Havířově , Ž. Vokálková flute

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22.OCTOBER 2016

International Organ Festival Zdenek Pololáník

LITOMYŠL, B. Polášková mezzosoprano

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2.července 2016

CHAMBER MUSIC FESTIVAL Czech Krumlov

 5.p.m..,Church Božího Těla, M. Kejmar trumpet

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20.september 2015 ZWIESSELER ORGELTAGE

Toccata trift jazz 18.hod. St. Nicholas Kirche

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 18. 7. 2015 INTERNATIONAL ORGAN FESTIVAL VIVAT ORGAN

 7.p.m. Church st. Petra a Pavla – Cizkrajov Jitka Hosprová – viola

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13.9.2014 LIBCHAVSKÝ HUDEBNÍ PODZIM

7.P.M.Church St. Jakuba, R. Janál baryton

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5.70 2014 CHAMBER MUSIC FESTIVAL Czech Krumlov

16.hod. Kaple sv Martina, B. Polášková mezzosoprán

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19.2.14
a 20.02.14 ORCHESTRAL SERIES FOK

A.Guilmant-Symfony for Organd and orchestra d minor, No. 1
Smetana Hall  in 7.p.m.. Play orchestr FOK, dir. H. M. Förster

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 CONCERT SERIES NORTH CZECH PHILHARMONIC

19.12. 2013  J. Rheinberger Concerto for Organ and orchestra no. 2 g minor,

Teplice Concert Hall 7.p.m.. Play North Czech Philharmonic. Dir. Michel Roháč

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24.9.13   ST.WENCESLAS FESTIVITIES

22. International Festival of Spiritual Art st. Waclav in Smíchov 7.p.m.

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16.9.13   INTERNATIONAL ORGAN FESTIVAL OLOMOUC CHURCH St. Morissat

 Classic and jazz organ music Church St. Morissat 8.p.m.

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20.6.2013   CONCERT SERIES NORTH CZECH PHILHARMONIC

 49. Closing Concert Music Festival Ludwig van Beethoven,dir. Franz Schottky

Teplice Concert Hall. A. Guilmant-Symfony for Organ and Orchestra no. 1 d minor.

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13.7. 2012 PRAGUE PROMS-INTERNATIONAL MUSIC FESTIVAL

7.p.m. Night at the Cathedral – Jan Hasenöhrl, Jan Hykrda a Jan Burian – trumpets

E. Viklický –Variace on the Over the Rainbow-premiéra, Kutná hora Church st. Barbora

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1.7. 2012   CHAMBER MUSIC FESTIVAL Czech Krumlov

 4.p.m..,Church Božího Těla, M. Kejmar trumpet

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1.dubna 2012   SMIŘICKÉ SVÁTKY HUDBY

Aprílový koncert-J. Svěcený housle, Ž. Vokálková flétna

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27.7. 2011  ORGAN FESTIVAL IN ST. VITUS CATHEDRAL

7.p.m.. Church st. Vitus, French music

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29.května 2011  INTERNATIONAL MUSIC FESTIVAL PRAGUE SPRING.

4.p.m. st. Wenceslas at Smíchov,Reger, Durufle, Wiedermann

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26.10.2010  MALÁ STRANA CHAMBER FESTIVITIES

7.p.m. Francis Poulenc Concerto for Organ and orchestra in  g minor

Prag Jesus Church, Camerata Bohemia, dir. T. S. Weser

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30.12.2010  INTERNATIONAL ORGAN FESTIVAL VIVAT ORGAN

4.30.. Church Božího Těla Český Krumlov

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                                                                                Další koncerty

 

 

18.5. Flute

31.5. Soprano,

5.6. trumpet

10.6.trumpet,mezzosoprano

3.7. Oboe

13.7. trumpet

29.7. soprano, flute

11.8.mezzosoprano

17.8.trumpet

24.8.oboe

27.8. soprano

15.9. soprano, alto

27.9.soprano

6.10.soprano

19.10. flute

1.1.2018 Mezosoprano, trumpet

2016-

Kostel Maří Magdaleny v Karlových Varech v 16.hod-S Barborou Poláškovou-mezzosoprán a Miroslavem Laštovkou-trubka

5.2. Kostel Maří Magdaleny v Karlových Varech v 16.hod-S Barborou Poláškovou-mezzosoprán a Miroslavem Laštovkou-trubka

5.3. Kostel Maří Magdaleny v Karlových Varech v 16.hod-S Barborou Poláškovou-mezzosoprán a Miroslavem Laštovkou-trubka

24.3. Sv. Mikuláš 18.hod. Ž, Vokálková flétna

3.4.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

5.4.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

6. dubna Sv. Mikuláš 18.hod. Rejlek, Bachtík trubky

16.4.VARHANNÍ NEŠPORY-Praha-Kostel Panny Marie pod Řetězem v 17.hod. M. Laštovka trubka

10.4.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

12.4.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

27. dubna Sv. Mikuláš 18.hod. M Šrůmová a M. Laštovka zpěv a trubka

30. května Sv. Mikuláš 18.hod. B Polášková mezzosprán

24.5.SNOUBENÍ ŽÁNRŮ-Chrám Pražského Jezulátka

Varhanní recitál duchovní hudby z různých žánrů

8. června Sv. Mikuláš 18.hod. Vaňkátovou, Vokálková zpěv, flétna

20.6. Závěrečný koncert 49. Ročníku Hudebního festivalu L. van Beethovena

Teplice Dům kultury v 19.hod. A. Guilmant-Symfonie pro varhany a orchestr č. 1 d moll. Hraje Severočeská filharmonie Teplice

14. července Sv. Mikuláš 18.hod. – Mátlová soprán

20.7.Vyšší Brod,KLÁŠTERNÍ KOSTEL Nanebevzetí Panny Marie ve 20.hod.

Program: Bach, Purcell, Handel aj. M. Kejmar trubka

26. července Sv. Mikuláš 18.hod. – Laštovka trubka

31. července Sv. Mikuláš 18.hod. – varhanní recitál

3.8. Vyšší Brod,KLÁŠTERNÍ KOSTEL Nanebevzetí Panny Marie ve 20.hod.

Program: Bach, Handel , Rossini, Dvořák aj. B. Polášková mezzosoprán

5. srpna Sv. Mikuláš 18.hod. – Vokálková flétna

25. srpna Sv. Mikuláš 18.hod. – Séquardtová hoboj

16.9. MEZINÁRODNÍ VARHANNÍ FESTIVAL OLOMOUC

Chrám Sv. Mořice ve 20.hod. Program: Reger Wachet auf.., Durufle Toccata , Piazzola, Viklický, Wiedermann aj

21. září Sv. Mikuláš 18.hod. – Polášková, Rejlek zpěv trubka

24.9. SVATOVÁCLAVSKÉ SLAVNOSTI-22. Mezinárodní festival duchovního umění

Malá jazzová mše. Program Reger Wachet auf, jazzové skladby pro klasické varhany, Jazzová mše B.Chilccotta… Učinkují Jazzové trio a sbor

Kostel sv. Václava na Smíchově 19.30

28.9. Kostel sv. Václava na Proseku

Program: Varhany a housle. Housle Jůlie Svěcená

Pořádá Městská část Praha 9

19.12. ABONENTNÍ CYKLUS SEVEROČESKÉ FILHARMONIE TEPLICE

J. Rheinberger Koncert pro varhany a orchestr č. 2 g moll

Teplice Dům kultury v 19.hod. Hraje Severočeská filharmonie Teplice. Dir. ??

19.2. a 20.2. 2014 ORCHESTRÁLNÍ ŘADA FOK. A.Guilmant-Symfonie pro varhany a orchestr č.1 d moll, Smetanova síň Obecního domu v 19.30.hod. Hraje orchestr FOK, dir. H. M. Förster

Kalendář akcí 2012

1.1. Kostel Nejsvětější Trojice 19.hod-19.hod-Markéta Mátlová- soprán

3.1. Kostel Maří Magdaleny v Karlových Varech v 16.hod-S Barborou Poláškovou-mezzosoprán a Miroslavem Laštovkou-trubka

6.1.Tříkrálový koncert Chrudim-Chrudimská beseda 19.hod-M- Maroul- trubka

17.1. Kostel Maří Magdaleny v Karlových Varech v 16.hod-S Barborou Poláškovou-mezzosoprán a Miroslavem Laštovkou-trubka

25.2. Kostel Maří Magdaleny v Karlových Varech v 16.hod-S Barborou Poláškovou-mezzosoprán a Miroslavem Laštovkou-trubka

1.4. Smiřické svátky hudby-J. Svěcený-housle, Ž. Vokálková-flétna

7.4. Kostel Sv. Salvátora

18.hod. Duchovní hudba. Dir. A. Melichar

11.4. Kostel sv. Františka 20.hod-O. Socha-tenor, M. Baerová-soprán

13.4.Kostel sv. Františka 20.hod-O. Socha-tenor, M. Baerová-soprán

18. 4. Sv. František ve 20. hod -S Barborou Poláškovou- mezzosoprán, Danou Hegerovou- flétna

18. 4. Sv. Mikuláš 18.hod – varhanní recitál

20.4. Sv. František ve 20. hod -S Barborou Poláškovou- mezzosoprán,

23.4.Kostel sv. Františka 20.hod-O. Socha-tenor, M. Baerová-soprán

25.4.Kostel sv. Františka 20.hod-M- Lastovka-trubka, O. Socha-tenor

26. 4. Sv. Mikuláš 18.hod – L. Séquardtová-hoboj

26.4.Kostel sv. Františka 20.hod-M- Lastovka-trubka, O. Socha-tenor

28.4.Kostel sv. Františka 20.hod- O. Socha-tenor, M. Baerová-soprán

3. 5. Sv. Mikuláš 18.hod – M. Mátlová-soprán

4.5. Kostel sv. Františka 20.hod-B. Polášková-mezzosoprán, D. Hegerová-flétna

5.5. Chrám Pražského Jezulátka 19.30 Koncert duchovní hudby, Barbora Polášková mezzosoprán, J. Verner-Trubka

6.5.Kostel sv. Františka 20.hod-B. Polášková-mezzosoprán, D. Hegerová-flétna

11. 5. Sv. Mikuláš 18.hod – Ž.Vokálková-flétna

13.5. OSTROVSKÉ VARHANNÍ JARO Kostel Sv. Michaela a Panny Marie Věrné

19. 5. Sv. Mikuláš18.hod – Vladimírem Rejlkem a Janem Bachtíkem – Trubky

29.5.Kostel sv. Františka 20.hod-B. Polášková-mezzosoprán,Ž. Vokálková -flétna

30.5. Sv. Mikuláš 18.hod- I. Séquardt-hoboj

31.5.Kostel sv. Františka 20.hod-B. Polášková-mezzosoprán, Ž. Vokálková -flétna

1.6. Koncert Horní libchavá-recitál 21.hod

1. 6. Sv. Mikuláš 18.hod – B. Polášková-Mezzosoprán

6.6.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

11.6.Kostel sv. Salvátora. 18.hod. Varhanní koncert

8.6.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

19.6. Královský nástroj ve všední den, Kostel Panny Marie pod řetězem 17.hod Praha 1

24.6.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

23. 6. Sv. Mikuláš 18.hod – D.Vaňkátová, Ž.Vokálkovou-soprán, flétna

26.6. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

29. 6. Sv. Mikuláš18.hod – s prof. Rejlkem-Trubka

1.7. Festival Komorní hudby Český Krumlov-Kostel Božího Těla 16.hod-J. Hasenohrl –trubka

13.7. Festival PROMS Kutná hora-Sv.Barbora- J. Hasenohrl-trubka- Premiéra skladby E. Viklického-Variace pro trubku a varhany na píseň „Over the Rainbow“

7.7. Kytlice-recitál 19hod

17.7. Kostel Maří Magdaleny Karlovy vary B. Polášková mezzosoprán, M. Laštovka trubka

21.7. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

23.7. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

29.7. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

31.7. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

8.8.CHEBSKÉ VARHANNÍ LÉTO, Ž.Vokálková-flétna

14.8. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

16.8. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

26.8. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

28.8. Kostel Maří Magdaleny Karlovy vary B. Polášková mezzosoprán, M. Laštovka trubka

28.8. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

30.8 -Chrám S. Mikuláše 18.hod- I. Séquard-hoboj

7. 9 – Chrám S. Mikuláše 18.hods- V Rejlek-trubka

23.7 Chrám S. Mikuláše 18.hod – M. Laštovka-trubka

3.9.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

4.9.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

5.9.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

17.9.Kostel.Sv Salvatora: Dir A. Melichar

18.9.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

20.9. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

27. 9 – Chrám S. Mikuláše 18.hod-Ž. Vokálková-flétna

10.10. Kostel.Sv Salvatora: Dir A. Melichar

12.10.Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

14.10. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

20.10. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

22.10. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

15.10 – Chrám S. Mikuláše 18.hod- M. Mátlová-soprán

28.10 -Chrám S. Mikuláše 18.hod – B. Polášková-mezzosoprán

29.10. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

31.10. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

1.11. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

3.11. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

4.12. Klementinum Dir A. Melichar 19.hod

8.12. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

9.12.Muzeum české hudby. 17.hod. M. Mátlová soprán

15.12. Kostel sv Františka ve 20.hod,B Polášková-mezzosoprán, Ž. Vokálková-flétna

18.12.Klementinum. Dir. A. Melichar 19.hod

22.12.Kostel Sv Salvatora Dir A. Melichar 17.hod

23.12. Varhanní koncert v Sokolově

25.12.Velvary: Vánoční koncert-M Laštovka trubka

Audio: live koncerts
1. J. S. BAch: Trio Sonata in E Minor
2. J. S. BAch: Trio Sonata in E Minor 
3. J. S. BAch: Trio Sonata in E Minor 
4. M. Reger: Fantasy on the Chorale “Wachet auf, ruft uns die Stimme”
5.Maurice Duruflé Toccata from Symhony in B Minor, op. 5
6 Alexandre Guilmant: Sonata No. 5 in C Minor
7 Alexandre Guilmant: Sonata No. 5 in C Minor
8 Alexandre Guilmant: Sonata No. 5 in C Minor
9 Alexandre Guilmant: Sonata No. 5 in C Minor
10 Jiří Laburda Corale e parabolae sti Francisci – premier
11 Jiří Laburda Corale e parabolae sti Francisci – premier

Video
CH.M. Widor-Allegro Vivace from Symphony F Minor, Organ-Drahomíra Matznerová
Cecile CHAMINADE – Concertino – Organ-Drahomíra Matznerová,Flute Žofie Vokálková
Luis VIERNE- Final from Symphony D Minor ,Organ-Drahomíra Matznerová
Luis James Alfred LEFÉBURE-WÉLLY-Sortie Es dur -Organ-Drahomíra Matznerová
Frank MARTIN-Sonata da chiesa, Organ-Drahomíra Matznerová,Flute Žofie Vokálková
Alexandre GUILMANT-FINAL D MINOR, Organ-Drahomíra Matznerová

César Franck (1822–1890)
Chorale in E Major
Finale in B-Flat Major
Cantabile

Alexandre Guilmant (1837–1911)
Symphony No. 1 in D Minor,
Sonata No. 5 in C Minor
Pastorale in A Major

Eugene Gigout
Toccata in B Minor

Theodore Dubois
Toccata in G Major

Charles Maria Widor (1845–1937)
Symphony No. 5 in F Minor

Leon Böelmann (1862–1897)
Gothic Suite

Louis James Lefébure-Wely (1817–1870)
Sortie in E-Flat Major
Sortie in B-Flat Major

Louis Vierne (1870–1937)
Finale from Symphony No. 2 in D Major

Marcel Dupré (1866–1971)
Preludium and Fugue in E Major

Maurice Duruflé (1902–1986)
Toccata from Symphony in B Minor, op. 5

Marco Enrico Bossi (1861–1925)
Toccata in D Minor

CONCERTOS WITH ORCHESTRA

Jan Křtitel Vaňhal (1739–1813)
Concerto in F Major

Georg Friedrich Händel (1685–1759)
Concert in B-Flat Major

Alexandre Guilmant (1837–1911)
Symphony No. 1 in D Minor

Francis Poulenc (1899–1964)
Concerto for Organ, Strings and Timpani

Accompaniments with choir and orchestra
Antonín Dvořák
Mass in D Major
Stabat Mater

Joseph Haydn
The Creation

Georg Friedrich Handel
Messiah

Wolfgang Amadeus Mozart
Requiem
Coronation Mass
Mass in C Major
Missa Brevis in F Major

Franz Schubert
Mass D Major
Mass in B-Flat Major

Antonio Vivaldi
Gloria
Stabat Mater

Giovanni Battista Pergolesi
Stabat Mater

František Xaver Brixi
Missa Solemnis in D Major

Georg Böhm (1661–1773)
Prelude and Fugue in A Minor
Prelude and Fugue in G Minor

Dietrich Buxtehude (1637–1707)
Prelude and Fugue in F Major

Johann Sebastian Bach (1685–1750)
Trio Sonata in C Minor BWV 526
Trio Sonata in D Minor BWV 527
Trio Sonata in E Minor BWV 528
Trio Sonata in G Major BWV 530
Prelude and Fugue in C Major BWV 531
Prelude and Fugue in E Minor BWV 533
Prelude and Fugue in C Minor BWV 537
Toccata and Fugue in D Minor (“Dorian”) BWV 538
Toccata and Fugue in F Major BWV 540
Prelude and Fugue in G Major BWV 541
Fantasy and Fugue in G Minor BWV 542
Prelude and Fugue in A Minor BWV 543
Prelude and Fugue in C Major BWV 546
Prelude and Fugue in E Minor BWV 548
Prelude and Fugue in G Major BWV 550
Prelude and Fugue in E-Flat Major BWV 552
Toccata, Adagio and Fugue in C Major BWV 564
Toccata and Fugue in D Minor BWV 565
Fantasy in G Major BWV 572
Concerto in G Major BWV 592
Concerto in A Minor BWV 593
Concerto in C Major BWV 595
Chorales from the Little Organ Book: selections from 30 Chorales BWV 599–644
Schübler Chorales:

Wachet auf, ruft uns die Stimme BWV 645
Ach bleib, bei uns, Herr Jesu Christ BWV 649
Kommst du nun, Jesu, vom Himmel BWV 650
Leipzig Chorales: Schmücke dich, o liebe Seele BWV 654
O Lamm Gottes unschuldig BWV 656
Nun komm, der Heiden Heiland BWV 659
Allein Gott in der der Höh´sei Ehr BWV 664

Johann Gotfried Walther (1684–1748)
Concerto in B Minor

Johann Andreas Sorge
Prelude in C Major
Prelude in A Minor

Wolfgang Amadeus Mozart (1756–1791)
Andante in F Major
Fantasy in F Minor

Felix Mendelssohn-Bartholdy (1809–1847)
Prelude and Fugue in C Minor
Sonata in F Minor
Sonata in C Minor
Sonata in B-Flat Major
Fugue in E Minor

Franz Liszt (1811–1886)
Prelude and Fugue on B-A-C-H
Fantasy and Fugue on the Chorale “Ad nos, ad salutarem undam”

Max Reger (1873–1916)
Fantasy on the Chorale “Hallelujah, Gott zu Loben”
Fantasy on the Chorale “Wachet auf, ruft uns die Stimme”
Introduction and Passacaglia in D Minor